The following images will be on the test. I will also have a couple of other questions as well, but the following will be the projected slide images for
identification. Study them well.
Test Questions
Figure 24-8
GIANLORENZO BERNINI, Ecstasy of Saint Teresa,
Cornaro Chapel, Santa Maria
della Vittoria, Rome, Italy, 1645–1652. Marble, height of group 11’ 6”.
Figure 24-17 CARAVAGGIO, Conversion of Saint Paul, ca. 1601. Oil on canvas, 7’ 6” x 5’ 9”.
Cerasi Chapel, Santa Maria
del Popolo, Rome.
Figure 24-20
ARTEMISIA GENTILESCHI, Judith Slaying
Holofernes, ca. 1614–1620. Oil on canvas, 6’ 6 1/3” x 5’ 4”. Galleria
degli Uffizi, Florence.
Figure 24-30 DIEGO
VELÁZQUEZ,
Las Meninas (The Maids of Honor), 1656. Oil on canvas, approx. 10’ 5” x 9’.
Museo del Prado, Madrid.
Figure 25-1 JAN VERMEER, Allegory of the Art of Painting, 1670–1675. Oil on canvas, 4’ 4” x 3’ 8”.
Kunsthistorisches Museum, Vienna.
Figure 25-13 REMBRANDT VAN
RIJN, The Company of Captain Frans Banning
Cocq (Night Watch), 1642. Oil on canvas (cropped from original size), 11’ 11” x 14’ 4”.
Rijksmuseum, Amsterdam.
Figure 25-6 CLARA
PEETERS, Still Life with Flowers, Goblet, Dried Fruit, and Pretzels, 1611. Oil on panel, 1’ 7 3/4” x 2’ 1 1/4”.
Museo del Prado, Madrid.
Figure 25-29 GEORGES DE LA TOUR, Adoration of the Shepherds, 1645–1650. Oil on canvas, approx. 3’ 6” x 4’ 6”. Louvre, Paris.
Figure 25-38 SIR CHRISTOPHER WREN, new Saint Paul’s Cathedral, London, England, 1675–1710.
Figure 25-33 JULES
HARDOUIN-
MANSART and CHARLES LE
BRUN,
Galerie des Glaces (Hall of Mirrors), palace of Louis XIV, Versailles, France, ca. 1680.
Figure 25-31 CLAUDE
PERRAULT, LOUIS LE
VAU, and CHARLES LE
BRUN, east facade of the Louvre, Paris, France, 1667–1670.
Figure 29-15 WILLIAM HOGARTH, Breakfast Scene, from Marriage à la Mode, ca. 1745. Oil on canvas, 2’ 4” x 3’. National Gallery, London.
Figure 29-16 THOMAS GAINSBOROUGH, Mrs. Richard
Brinsley Sheridan, 1787. Oil on canvas, 7’ 2 5/8” x 5’ 5/8”. National Gallery of Art, Washington, D.C. (Andrew W. Mellon Collection).
Figure 29-1 JEAN-
HONORÉ FRAGONARD, The Swing, 1766. Oil on canvas, approx. 2’ 8 5/8” x 2’ 2”. Wallace Collection, London.
Figure 29-24 JACQUES-LOUIS DAVID, The Death of Marat, 1793. Oil on canvas,. 5’ 5” x 4’ 2 1/2”.
Musées Royaux des Beaux-Arts
de Belgique, Brussels.
Figure 30-11 FRANCISCO GOYA, The Sleep of Reason Produces Monsters, from Los
Caprichos, ca. 1798. Etching and aquatint, 8 1/2” x 5 7/8”. Metropolitan Museum of Art, New York (gift of M.
Knoedler & Co., 1918).
Figure 30-8 JEAN-AUGUSTE-DOMINIQUE INGRES,
Grande Odalisque, 1814. Oil on canvas, approx. 2’ 11 7/8” x 5’ 4”. Louvre, Paris.
Figure 30-15
THÉODORE GÉRICAULT, Raft of the Medusa, 1818–1819. Oil on canvas, 16’ 1” x 23’ 6”. Louvre, Paris.
Figure 30-18
EUGÈNE DELACROIX, Liberty Leading the People, 1830. Oil on canvas, 8’ 6” x 10’ 8”. Louvre, Paris.
Figure 30-23 JOSEPH
MALLORD WILLIAM TURNER, The Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On), 1840. Oil on canvas, 2’ 11 11/16” x 4’ 5/16”. Museum of Fine Arts, Boston (Henry Lillie Pierce Fund).
Figure 30-22 JOHN CONSTABLE, The Haywain, 1821. Oil on canvas, 4’ 3” x 6’ 2”. National Gallery, London.
Figure 30-21 CASPAR DAVID FRIEDRICH, Abbey in the Oak Forest, 1810. Oil on canvas, 3' 7 1/2" X 5' 7 1/4".
Nationalgalerie,
Staatliche Museen zu Berlin, Berlin.
Figure 30-25 ALBERT
BIERSTADT, Among the Sierra Nevada Mountains, California, 1868. Oil on canvas, 6’ x 10’. National Museum of American Art, Smithsonian Institution, Washington, D.C.
Figure 31-5 GUSTAVE
CAILLEBOTTE, Paris: A Rainy Day, 1877. Oil on canvas, 6’ 9” x 9’ 9”. The Art Institute of Chicago, Chicago, (Worcester Fund).
Figure31-7 BERTHE
MORISOT, Villa at the Seaside, 1874. Oil on canvas, 1’ 7 3/4” x 2’ 1/8". Norton Simon Art Foundation, Los Angeles.
Figure 31-15 GEORGES SEURAT, A Sunday on La
Grande Jatte, 1884–1886. Oil on canvas, 6’ 9” x 10’. The Art Institute of Chicago, Chicago (Helen Birch Bartlett Memorial Collection, 1926).
Figure 31-17 VINCENT VAN
GOGH, Starry Night, 1889. Oil on canvas, 2’ 5” x 3’ 1/4”. Museum of Modern Art, New York (acquired through the Lillie P. Bliss Bequest).
Figure 31-14 HENRI DE TOULOUSE-
LAUTREC, At the
Moulin Rouge, 1892–1895. Oil on canvas, 4’ x 4’ 7”. Art Institute of Chicago, Chicago (Helen Birch Bartlett Memorial Collection).
Figure 31-10 EDGAR DEGAS, Ballet Rehearsal, 1874. Oil on canvas, 1’ 11” x 2’ 9”. Glasgow Art Galleries and Museum, Glasgow (
Burrell Collection).
Figure 31-21 PAUL
CÉZANNE, Basket of Apples, ca. 1895. Oil on canvas, 2’ 3/8” x 2’ 7”. The Art Institute of Chicago, Chicago (Helen Birch Bartlett Memorial Collection, 1926).
Figure 31-33 AUGUSTE RODIN, Burghers of Calais, 1884-1889. Bronze, 6’ 10 ½” high, 7’ 11” long, 6’ 6” deep.
Musee Rodin, Paris.
Figure 31-27 EDVARD MUNCH, The Scream, 1893. Tempura and pastels on cardboard, 2’ 11 3/4” x 2’ 5”. National Gallery, Oslo.
Figure 31-18 PAUL GAUGUIN, Vision after the Sermon or Jacob Wrestling with the Angel, 1888. Oil on canvas, 2’ 4 3/4” x 3’ 1/2”. National Gallery of Scotland, Edinburgh.
Figure 31-8 PIERRE-AUGUSTE RENOIR, Le
Moulin de la
Galette, 1876. Oil on canvas, 4’ 3” x 5’ 8”.
Musée d’
Orsay, Paris.
Figure 31-9
ÉDOUARD MANET, Bar at the
Folies-
Bergère, 1882. Oil on canvas, 3’ 1” x 4’ 3”.
Courtauld Institute of Art Gallery, London.
Figure 31-2 CLAUDE MONET, Impression: Sunrise, 1872. Oil on canvas, 1’ 7 1/2” x 2’ 1 1/2”.
Musée Marmottan, Paris.
Figure 31-38 ANTONIO
GAUDI,
Casa Milá, Barcelona, 1907.
